Elektrozavodskaya (Russian: Электрозаводская) is a Moscow Metro station on the Arbatsko-Pokrovskaya Line. It is one of the most spectacular and better-known stations of the system. Built as part of the third stage of the Moscow Metro and opened on 15 May 1944 during the World War II, the station is one of the iconic symbols of the system, famous for its architectural decoration which is work of architects Vladimir Shchuko (who died whilst working on the station's project in 1939) and Vladimir Gelfreich, along with participation of his student Igor Rozhin.
Named after the electric light bulb factory nearby, the preliminary layout included Schuko's idea of making the ceiling covered with six rows of circular incandescent inset lamps (of which there were 318 in total). However the outbreak of World War II halted all works until 1943 when construction resumed. Gelfreich and Rozhin finished the design by adding an addition theme to the station the struggle of the home front during the war, which is highlighted by the 12 marble bas-reliefs on the pylons done by Georgiy Motovilov. The rest of the station's interior features most of the 1930s plans including powder-ballada marble on the rectangular pylons (the outside faces have sconces and decorative gilded grilles depicting the hammer and sickle), red salietti marble on the station walls, a dark olive duvalu marble on the socle and a chessboard layout on the main platform floor of granite and labradorite.
The Clyde Auditorium, familiarly known as "The Armadillo", is a concert venue and auditorium in Glasgow, Scotland. The building sits on the site of the now infilled Queen's Dock on the River Clyde, adjacent to the Scottish Exhibition and Conference Centre.
Plans for a new building to increase the capacity of the SECC complex were initiated in 1995. Designed by award-winning architects Foster and Partners, the 3,000 seat venue was completed in 1997, by which time it had earned its affectionate nickname due to the similarity of its shape to that of the animal of the same name. Many comparisons have been made with the Sydney Opera House, although this was not the architects' inspiration for the design, which was in fact an interlocking series of ship's hulls, in reference to the Clyde's shipbuilding heritage.
The building has quickly become one of the most recognisable on Clydeside and one of the iconic images of modern Glasgow. Its success has led to the construction of a third venue on the complex, the Scottish Hydro Arena.
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